Tuesday, June 18, 2013

Vladimir Mayakovsky (1893-1930)




To His Own Beloved Self

Six.
Ponderous. The chimes of a clock.
“Render unto Caesar ... render unto God...”
But where’s
someone like me to dock?
Where’11 I find a lair?

Were I
like the ocean of oceans little,
on the tiptoes of waves I’d rise,
I’d strain, a tide, to caress the moon.
Where to find someone to love
of my size,
the sky too small for her to fit in?

Were I poor
as a multimillionaire,
it’d still be tough.
What’s money for the soul? –
thief insatiable.
The gold
of all the Californias isn’t enough
for my desires’ riotous horde.

I wish I were tongue-tied,
like Dante or Petrarch,
able to fire a woman’s heart,
reduce it to ashes with verse-filled pages!
My words
and my love
form a triumphal arch:
through it, in all their splendour,
leaving no trace, will pass
the inamoratas of all the ages!

Were I
as quiet as thunder,
how I’d wail and whine!
One groan of mine
would start the world’s crumbling cloister shivering.
And if
I’d end up by roaring
with all of its power of lungs and more –
the comets, distressed, would wring their hands
and from the sky’s roof
leap in a fever.

If I were dim as the sun,
night I’d drill
with the rays of my eyes,
and also
all by my lonesome,
radiant self
build up the earth’s shriveled bosom.

On I’ll pass,
dragging my huge love behind me.
On what
feverish night, deliria-ridden,
by what Goliaths was I begot –
I, so big
and by no one needed?

Monday, June 17, 2013

Sylvia Plath (1932-1963)


Last Words

I do not want a plain box, I want a sarcophagus
With tigery stripes, and a face on it
Round as the moon, to stare up.
I want to be looking at them when they come
Picking among the dumb minerals, the roots.
I see them already--the pale, star-distance faces.
Now they are nothing, they are not even babies.
I imagine them without fathers or mothers, like the first gods.
They will wonder if I was important.
I should sugar and preserve my days like fruit!
My mirror is clouding over ---
A few more breaths, and it will reflect nothing at all.
The flowers and the faces whiten to a sheet.

I do not trust the spirit. It escapes like steam
In dreams, through mouth-hole or eye-hole. I can't stop it.
One day it won't come back. Things aren't like that.
They stay, their little particular lusters
Warmed by much handling. They almost purr.
When the soles of my feet grow cold,
The blue eye of my turquoise will comfort me.
Let me have my copper cooking pots, let my rouge pots
Bloom about me like night flowers, with a good smell.
They will roll me up in bandages, they will store my heart
Under my feet in a neat parcel.
I shall hardly know myself. It will be dark,
And the shine of these small things sweeter than the face of Ishtar.

Sunday, June 16, 2013

Bruce Cockburn




Wondering Where The Lions Are


Sun's up, uh huh, looks okay
The world survives into another day
And I'm thinking about eternity
Some kind of ecstasy got a hold on me

I had another dream about lions at the door
They weren't half as frightening as they were before
But I'm thinking about eternity
Some kind of ecstasy got a hold on me

Walls windows trees, waves coming through
You be in me and I'll be in you
Together in eternity
Some kind of ecstasy got a hold on me

Up among the firs where it smells so sweet
Or down in the valley where the river used to be
I got my mind on eternity
Some kind of ecstasy got a hold on me


And I'm wondering where the lions are...
I'm wondering where the lions are...


Huge orange flying boat rises off a lake
Thousand-year-old petroglyphs doing a double take
Pointing a finger at eternity
I'm sitting in the middle of this ecstasy

Young men marching, helmets shining in the sun,
Polished as precise like the brain behind the gun
(Should be!) they got me thinking about eternity
Some kind of ecstasy got a hold on me


And I'm wondering where the lions are...
I'm wondering where the lions are...


Freighters on the nod on the surface of the bay
One of these days we're going to sail away,
going to sail into eternity
some kind of ecstasy got a hold on me


And I'm wondering where the lions are...
I'm wondering where the lions are...

Saturday, June 15, 2013

Martha Braniff



Joan's Question

In the stone church
of Lesser Towne,
Joan of Arc, Lorraine’s maid,
prostrate on the transept floor,
her womb, a sacred sepulcher
of slandered witches.
As French armies fall, she prays
in a chapel where walls rage
with men-crushing dragons,
dead children hanging
on knights’ silver shields,
Savior dragging gilded cross,
horses flying into heaven,
and a spiked halo
on a statue of the Bishop.
Her mother, the organist,
and her father, the janitor,
dissuade Joan from listening
to the Angels who exhort her:
Beat the English.
March to Paris.
Send a hot epistle
to the Bishop of Beauvais,
insisting he remain
a loyal Frenchman.
A letter ignored at first,
then saved for her burning.
At her trial,
the Bishop’s accusation:
Joan dresses as a man.
Her last words, a simple query:
How can a woman fight a war,
if she wears a dress?

Copyright © 2004 Martha Braniff

Friday, June 14, 2013

Aleister Crowley (1875-1947)



Dumb


Gabriel whispered in mine ear
His archangelic poesie.
How can I write? I only hear
The sobbing murmur of the sea.

Raphael breathed and bade me pass
His rapt evangel to mankind;
I cannot even match, alas!
The ululation of the wind.

The gross grey gods like gargoyles spit
On every poet's holy head;
No mustard-seed of truth or wit
In those curst furrows, quick or dead!

A tithe of what I know would cleanse
The leprosy of earth; and I -
My limits are like other men's.
I must live dumb, and dumb must die!

Aleister Crowley

Thursday, June 13, 2013

Wislawa Szymborska (1923-2012)



Children of Our Age


We are children of our age,
it's a political age.

All day long, all through the night,
all affairs--yours, ours, theirs--
are political affairs.

Whether you like it or not,
your genes have a political past,
your skin, a political cast,
your eyes, a political slant.

Whatever you say reverberates,
whatever you don't say speaks for itself.
So either way you're talking politics.

Even when you take to the woods,
you're taking political steps
on political grounds.

Apolitical poems are also political,
and above us shines a moon
no longer purely lunar.
To be or not to be, that is the question.
And though it troubles the digestion
it's a question, as always, of politics.

To acquire a political meaning
you don't even have to be human.
Raw material will do,
or protein feed, or crude oil,

or a conference table whose shape
was quarreled over for months;
Should we arbitrate life and death
at a round table or a square one?

Meanwhile, people perished,
animals died,
houses burned,
and the fields ran wild
just as in times immemorial
and less political.

Wislawa Szymborska

Tuesday, June 11, 2013

Molly Gaudry



GLASS CINDERS

Emerge, lion-maimed. Expand
a monstrous mouth. Between awe
and the child without a face, know

of the wolf. Remark: “Shame
in its creature heart,” but never
needle it. That emits bones, notes

its tongue. A lizard has her dividing
masks, will also voice means: if that
was at the atrium, the sister terrarium’s

difference is picture crystals: common
peaches. The icicles: glass cinders.
A water flame unfurled, a child

face, a window circle, a rose voice,
a lizard figure, a capitalized sun dot—
not a word painting. The grass hovel

where mercury wanders but points
monolithically treats intimately
this written wheezing, becomes

still, looks south against the last.
Know when. Take back. Awe in.
Do for. Eat there. Call to. Gather

my Dorothea. Trust always
her broken-signal stillness,
the broken paper bird, if it appears.

Notice the child. Awe. Know her
name: Dorothea. Take this name:
Dorothea. Take her name.